Introduction to the Flower of Life: Drunvalo Melchizedek's Life Story and Sacred Geometry

[MUSIC PLAYING] [FLUTE PLAYING] >>Hello, my name is Drunvalo Melchizedek. I'll be your guide during this video presentation. What you're about to see is the journey of my life through this reality of how I learned about God and the relationships that we have with all life, everywhere. Through all of this, I realized that Christ is in the eyes of every person that stands before me, and Christ is in your eyes, also. This information is ancient. It's very, very old. It may seem new. It may seem like something you've never heard before, but it isn't. It's really old, and then the truth is that you have it all within you already. Really, you remember things that are so deep inside of you, or can remember these things, and this is what this video is all about-- to trigger these things so that you remember who you are and why you came here and what it's all about, why you're on this Earth. It is my prayer that this be a blessing in your life and that it open unto you a whole new way of seeing the world, something brand new and something very old. Thank you. I love you very much. [MUSIC PLAYING] What you're about to see is a video of information that has come from many, many, many different directions within my own being, and many people have asked me exactly who it is or where did this information come from, because it's a varied set of parameters. And yet it comes together into one big picture. So just for the record, and just for everyone to know who and where this came from, and to give these people credit, I would like to talk about who my teachers were and where all of this came from. And in order to do this, I'm going to have to go all the way back to when I was a little, tiny kid. And when I was really little, I was Catholic, and I went through all the Catholic schools, all the way up almost to the very end. And through high school, I didn't quite make it through high school, but I got almost through high school. And, of course, Jesus was the first person that has ever influenced my life and through what is being transmitted to you through here. But as time went on, in my early 20s, I began to see that there was more, not that what Jesus had to say was incomplete, only that I had a longing for a larger picture of what was being said. And I made a big switch. I actually became Jewish, and I began to study the Kabbalah and to see what that had to say relative to what Jesus had to say. And this went on for a few years, until something that began to happen in my life in the early '70s. First of all, probably the most important thing that happened was I literally died on April 10th of 1972, and in a single breath, part of who I was, you could say, left here. And in another breath, when I breathed back in, the person who's talking to you now began to breathe through this body. And that, of course, had a big, big influence on my life. At the same time that that happened, there were these two angels that appeared in my life. They have no names. They were both about 10 feet tall. One of them was purple in color, kind of an ultraviolet color, and the other was green. And over the next few months, as they would appear into the room and begin to talk to me, they led me to many, many, many different teachers around the world. Some of them I physically connected with. Some of them I psychically connected with, and in various ways, I communicated with many people, which was probably about 70, though that's a guess. And interestingly enough, they would actually give me the name, address, and telephone number of who I was to connect with, of whom my next teacher was. It was kind of a funny feeling. I remember in the beginning, they would say, OK. You're going to see this person. Here they are, and call them up. So I'd just call them up, and sure enough it would be that person. It used to kind of blow my mind in the beginning, then I got used to it. One of the very first people-- and it's someone no one's ever heard of, I'm sure-- and his name was Wilf Chipman. And he was an alchemist, and they led me to him. And I studied with him for over two years, and I studied alchemy. And he was an extraordinary teacher. He really knew what he was doing on a lot of levels, and it was a very important groundwork, especially out of coming out of the Kabbalah. And at the same time that I working with Wilf Chipman, there was another person that some of you may remember, which was Karpal Singh, and I began to work through him and work with him during that time. This was back in probably about 1972. At that same time, I was brought to, or introduced into, the Order of Melchizedek. This is actually Alpha and Omega Order of Melchizedek, and it was the first order of the Great White Brotherhood. There are 72 orders in the Great White Brotherhood, and my introduction was through the first order, the oldest one, and also the youngest order. The youngest order is the Brotherhood of the Seven Rays, and so it's through those, the two ends of the alpha and the omega, that-- it would really be more appropriate to say that they work through me than I work through them. Now, the Brotherhood of the Seven Rays is actually in Bolivia, very near the border of Peru. The entry way is through the Valley of the Blue Moon. After that time, I became involved very deeply in Sufism, and Sufism, which came out of the Muslim tradition and the Quran maybe about 700 years ago, was one of the first religions that began to see that, really, all religions are one. They are all interconnected. Of course, if you ask a Buddhist or if you ask a Catholic or someone else if there is interconnection, they'll say, no. But if you study deeply and go into the geometries of the inner aspects of every religion, of all the eight major religions, they are deeply interconnected. And the Sufis saw this a long time ago, and so it became my path for about 11 years. And the first teacher that came to me was Hazrat Inayat Khan, who brought Sufism to the West a long time ago, and then later, through his son, Pierre Vilayat Khan. One of the most important teachers that I had through all of this was a man named Murshid Hassan, and Murshid Hassan was the head of seven dervish orders. He actually lives in a concentration camp in Israel, though he is one of the most respected people in Israel, at least in terms of Sufism. And I spent not a long time with this man. It was only a few weeks, but he changed so many of my viewpoints of how I interpreted the reality. He was about 90 years old. He was a skinny, little man. He was very healthy. And at that time, I was into macrobiotics, and I was extremely strict about what I ate and all that kind of thing. And suddenly, this teacher comes in, who affected me on a very deep level just by being in his presence. And as I watched him work, he just began to destroy everything that I thought was true on a lot of levels. I thought that the food was so important, and it is, in certain ways. But I watched a man here who, for two weeks, I never saw him eat a single bite of food, nothing. He may have snuck something in his room or something. I don't know, but I didn't see him eat anything. But what I did see him do was he took a cup, about this big, put about half filled with pure white sugar, pour this thick coffee into it, and smoke these long cigarettes, these brown cigarettes. And all he did was drink this sugar-coffee water and these cigarettes. It was the only thing he ever ate, and yet his light that came off of him was incredible. He loved children. He saw children as the true teachers of the world, and if someone would bring a child into the room, he would be sitting on the stage with 100, 200 people around him. And if someone brought a child into the room, he would just stop. He would get down off of his chair where he was teaching and have the child put on the chair because he said, this is truly our real teachers. There were other Sufi teachers that influenced me. One was Murshid Isa, who has the circle of friends from around the world, and Murshid Sam Lewis, who was a very important teacher of mine. I love them all. I also became involved in Hinduism in lots of ways, and I don't know if I could even begin to bring up all the different aspects of that. I was very closely connected to Yogananda, and I still love this man, who was also interconnected with the Order of Melchizedek. And probably not very many people from the Self-Realization Foundation know that, but he was, and also Sri Yukteswar, which was Yogananda's teacher and who has recently given me a great deal of information. Also Bhajan Sri Wajani, you know, I know he's [INAUDIBLE] a lot of people on that one, for his presence in the United States. He was primarily a Daoist teacher, and he used himself as an example. So here's a man who comes to the United States and has something like 200 Mercedes-Benz, or whatever it is, or Rolls Royces, and everybody's saying, wow. He's just totally into materialism. But what he was doing was showing, through his own being, exactly what we were doing and using himself. If you understand Daoism, you'll understand what he was doing as a teaching. I was real close with Ram Dass, from the very, very beginning, and I really love this man also. He taught me that I can just use myself openly, and anything that happens in my life, I can use that openly, without fear. In other words, instead of trying to protect your image of who you think you are, just let God do it. And open up, and just be who you are. And don't worry about what anyone thinks or anything else. And it was very, very powerful, what Ram Dass gave to me. I also spent a long time-- well, not a long time, but a couple years-- at Lama Foundation, where Ram Dass taught a lot, and there were many teachers that came through there that influenced me in what happened here. In fact, the very act of living at Lama Foundation was a great deal a part of this teaching. In more recent times, Sai Baba has been very involved in what we're doing. He is involved with something that's called the Tri-Phase, which we don't actually get into here yet. It's a higher level of this work. And his work is important to what we are doing. While I was at Lama, I even became Muslim for about a year. I did Salah five times a day, and I passed through all the various aspects and studied the Quran to see how they saw the world and where they were coming from. And it's very beautiful, their point of view. I really love what they have to offer to the world. The Tibetans played a very important part in understanding the role. The Tibetans probably know more about the Merkaba than anyone else in the world, though Sai Baba is getting very close to it right now, and the biggest teacher that I had through Tibet was Kalu Rinpoche, who died not too long ago but is now back in human form. He's just a child right now, and he was my greatest Tibetan teacher. I will always say that. I love him, though I had to study with other ones. I had to go to Boulder and study with Chogyam Trungpa Rinpoche. I didn't really like that very much. It was a lifetime of chaos for him, that he was teaching, and i --- can't really explain to you why, but the left side of our brain, which controls the right side of our body, the male aspect of us, this is where the real problem lies. Pretty much everyone agrees on this. Our left brain, the logical side of us, looks outside of the universe and sees everything polarized separated. And there's black and white, and there's up and down and male and female. And there's the inside and the outside, and there's the good and the bad and all these things. And so your left brain does not see the unity of life and does not really believe that there's only one God. It may even say the words, I believe there is one God. But inside there is this little part that's got this doubt because there's the good guy. There's God, and there's the devil. There's all these separated aspects of us. And so these first three and a half, four days, the main purpose is to clearly show your logical side that there is an absolute unity to the reality and that you are an intimate part of that unity and that there is only one God. It's essential in the sense that once your left brain sees that and understands it, then it begins to interlock between and integrate between the left and right brain. And the pineal gland is then capable of functioning again, because at the moment your pineal gland is-- well, it does have a little bit of functioning through linear light that passes through the eyes and goes through the hypothalamus and into the pineal gland. And so you have a certain amount of functioning of the pineal gland, but it's true purpose is to receive light, to receive prana, which is another form of light. But it's primarily higher dimensional light, and it can't do that at the moment. Once this integration between the left and the right brain [INAUDIBLE] place, then your pineal gland is capable of doing something, of receiving this pranic light. And then the meditation is possible. So if someone were to just do this meditation in this particular state, without having the understanding of these first four days, it's highly unlikely that they would get very much out of it, even if they were doing it perfectly, because they've got a block, a shield that's blocking that from working. So that's why we have to go through so much of this stuff, and I don't like to do it. And most people don't even like to watch it because it's hard, you know. And it's mathematics and all this stuff, but that's who we're talking to, is your male side, is this male knowledge. And it's also super condensed, which makes it harder. This was given only one other time in the world's history, at least in the last 13,000 years, and that was in Egypt during the 18th Dynasty. And it was only given for 17 and 1/2 years in a short period of time. There, it took them 12 years to present what we're giving you in about four days, and so you're getting a super condensed, very rapid presentation of this. So I can understand why some of you come back two or three times, trying to get, what was that he said? Because it's a lot, I know it's a lot. OK, the other thing about this is that if you just come here and listen to what I have to say and then go home and practice the meditation kind of thing, you'll kind of be missing the point in a way because what we're really talking about here, what you might say is group consciousness, consciousness beyond your individual self, because as you go up in consciousness, you keep coming to these places where you will realize that you merge with, you would say, zillions of other souls. It just keeps going on on these higher and higher levels of awareness, and you have to lose your identity. It's very much like if you look at your body. Your body is always this little microcosm that reflects the macrocosm and all that is, and you've got about 100 trillion cells in your body. And they're all like people. They have different sizes, and they have different functions. And they're in different regions, and you might say, like, different dimensional levels and places and things. And they all work together as a whole, but there is this kind of over-person, you, that's beyond all of that. And coming up through the levels is like a single. You're like a single cell down here, about to go up through the various levels, and if you do, you will merge with tissues and then organs and higher and higher levels of the body, until you become this-- like, really, what we're referring to as God is like me relative to a cell. But, of course, there's more beyond what we call God. Our levels of what we are, concepts of God are limited, but nevertheless, we have to reach as far as our limits will take us, whatever our possibilities are. And that's what's about to happen to us. We're about to go up from a cell to a person, make a huge leap in awareness, and it's going to be a big one. And it's going to happen quick, real soon. [LAUGHTER] The sooner the better. This group consciousness thing needs to be reflected here, and if at this time we can begin to merge with this group-- just, we've got to start somewhere. We've all come from all over the place. People are here from Hawaii, England, and I don't know where else, all over, from various places around the United States. But what I do know about these groups is that each one comes here. I can almost say for certain if you are here at this time, you all have connections together. You may be surprised how much you have in common on certain levels, and if you were to go back into past lives, you may be seeing how many times you have interwoven with each other before. And you've all been around a long time, most of you, and I can almost say with certainty that you all have more than likely walked into your bodies, though not necessarily, at some time in your life. And you are almost more than likely interdimensional beings. You've come from another dimension, not another planet, another consciousness level. And you've come down here for a purposeful reason, because that's primarily what one of my main purposes of communicating to these groups like this is, to act as a catalyst to remind you of who you are so that your memories can come back. And you can remember where you came from and why you came here and these kind of things because this is important, for you to finish what you do here. My background is mostly in mathematics and physics. That's what I started out. I got within a few days of graduating and that. I had one quarter left-- that was at the University of California in Berkeley-- when I decided that that's not what I wanted to do. And I switched from the left brain to the right brain and went into fine arts and painting, and they thought I was crazy. Maybe I was. I don't know, but I did it. And it took me two more years to graduate. But I can see the wisdom in that now and why I did that, though I couldn't understanding, even at the time, why I was doing what I did because when you look at what's on the screen here, you'll see it's an integration of art and science, mathematics and religion, which is what all of the ancients all tell you, is that those three things are all interrelated. Art, from a long time ago, was not expressionistic type art that we have now. It was a very holy thing that was done and sacred, but at this point, of course, it could be almost anything. In my own life, I was, like everyone else, trying to figure out why we were here and what was going on. I went into the military when I was really young, thinking that might help. It did, actually, because I ended up in Vietnam. I spent 13 months there, long before everything started happening, way back in 1962, and found myself out in the jungles and living in just little shacks, learning what my job was, which was teach English to the Vietnamese because I could speak Vietnamese. And so I spent a long time there, and it was there for the first time that I saw someone different than Americans. And I saw the amazing nature of the Vietnamese, which is real different. Their hearts are so much more open than ours. I mean, I fell in love with them, and I didn't want to return. I didn't know what was about to happen. You know, I was ready to just go off into the jungles and forget it and just stay there, but it didn't. And when I got back, I was even stronger, wanting to know what was going on, and so I went to college, thinking maybe that would figure it out. And so that's the reason I went into mathematics and physics, trying to figure out what this stuff was out here and looking in that way. But by the time I got almost through with that, I realized many things. I realized, first of all, that I was being communicated with as I was working through there, which was really who I am now. But at the time, I was another person, and I was communicating to this other person while he was going to college. And I was giving him a lot of this stuff, and I gave him an understanding where at one point he realized that what he was being taught in the schools was completely wrong. And that was partly what made him stop. And, really, there is no wrong or right in this. It's always an interpretation. It's how we interpret things. One day, many years later, I had graduated from college, and I was led to go to Canada. And I immigrated up there. I was going to stay there for the rest of my life at that time. It had nothing to do with the thousands of people that were going there because of the war. I had an honorable discharge. I was out of all of that. I just went there because I felt that's where I was supposed to go. I went into this valley, all by myself. There was nobody there, and the following year, 10,000 Americans came into this one valley where I was. I couldn't believe it. It was, like, incredible, and it was devastating to the Canadians. It was absolutely devastating, what that did to them. But while I was there, for a while, I was living in Vancouver, and my wife and I decided that we were going to begin to search spiritually. And we did many things. We first started out with hypnosis, and we gave each other permission to do hypnosis. And we started working with hypnosis, going in and just studying on our own. And we found out that we could lift out of our body and fly around the room, which was really a lot of fun, and then we found out that we could go downtown and go into libraries and look in books and all kinds of things and come back. And this was getting to be very interesting. Life was getting to be more fun than it was before, though it didn't have any real answers in itself. And one day, it was actually Yogananada's book, I think, more than anyone else that got me interested in Hinduism. And I began to study with this particular teacher. He was teaching us a form of meditation, and this was the first time we got serious behind this. We made these white, silk robes with hoods and all this kind of stuff and sat down. And, you know, it was very serious. And we began to do this meditation, and we hadn't any idea where it would lead or what it would mean. Or anything, when something happened to us that wasn't in his book, either, our teacher who was teachin --- in the same place you guys are, trying to figure out how to get out of here, and I have given up everything I've had on the other levels to come from this, from the same place that you have. And we're all in this together, and we're just brothers and sisters. And so it's real important that we don't do that, with me or with anyone else. From my point of view, though some wouldn't agree, Jesus the Christ and a drunk in a gutter are equal. They're exactly the same because it's the same spirit. It's the spirit of God. It is in both of them, equally. Great Spirit, oh, Holy Trinity, mother, father, child God, creator of all life everywhere, thank you. Thank you for this circle, and thank you for the love that flows through this circle, for without this love, we would never be able to see you in the eyes of every person before us. And may all the beings of light who wish there to be love and truth and beauty and trust and harmony and peace throughout the cosmos, may those beings who have responsibility with us be here to help us to open our hearts and our minds so that we can understand what is being presented and make it real in our lives and live it and breathe it and bring it down onto Earth now, today. Especially the angelic realms, the beings of light who have never separated from God, who have stayed with us, protected us, guided us, and never broke their trust, these beings, which are really us, and whom, at least one way of looking at it, of whom we are all interconnected with in one way or another, I'd like to thank them for the help they've given us over the thousands of years and to ask them. I would like you to ask your angels, whether you believe in them or not at this point, just to ask them, invoke them, to come into this room, to be present here, and to help you, to guide you, at this time and maybe form now on. And when you ask them to come in, feel their presence. You won't have to see them, necessarily, but you will feel them. And they usually come from behind your left and your right shoulders, though not necessarily. So just take the moment now, and go within yourself, and ask your angels to be here with us for the next few days. Before we ever even start with the screen, I'm going to describe something so we all have the same language. This is this thing about dimensions. We all talk about this other worlds stuff. We need to get this clear in our minds what that means, at least from the definition that I will give you. You may have a different definition, and I don't mean to replace your definition. I am just going to give one that we can all talk about, so we all have something in common. Now when I talk about the 4th dimension, or the 5th, or 10th, or 120th, or whatever, I don't mean what most mathematicians would mean, and that is hyperspace, going from a 4th-dimensional tetrahedron, say, to a 5th by warp, changing space mathematically. I don't mean that at all because from my experience, that just simply isn't true, though you could create those kind of realities. It isn't what life has done at all. Life has separated the different dimensional levels in exactly the same way that it has separated the notes in music. And so if you were to look at a piano, you've got your white keys, and you've got your black keys. And your white keys are your whole notes, which goes, you know, C, D, E, F, G, et cetera, just whole notes, and then your black keys are your half steps. And your white, from C to C, is your octave, and your black ones are your pentatonic scale. You've got five notes there. And when you add the black ones to the white ones, you get 12 notes, which is called a chromatic scale. So if you get all your sharps and flats in there, you have 12 notes. The 13th one is the same note as your eighth note. That's your octave on your white keys. That's where you come from C to C again. It takes 13 steps to get back there again. And the only difference between each one of these notes in terms of sound is cycles per second, and each one of these notes, if you start at C and you go to C, C-sharp, D, et cetera, the differences between each of the notes are 11 cycles per second, or multiples of them. They are always 11, 22, 33, 44, 55, 66, 77, 99 cycles per second. The relative proportions of that are identical. Well, let me put it another way. There is something called wavelength in terms of either sound or light, just so we get this clear. Oh great. This is wavelength. Wavelength is simply-- this is your axis, you know, the sine wave curve that we're all familiar with, which is really a function of a circle. If you have a circle like this, and you cut it in half, you flip this half over to like that. Then you've got this sine wave curve, and the wavelength is how long it takes. If you were to measure this line running down the middle going from here to here or from any of the nodal points to another point-- let's say from here to here-- the length of this is how long. That's called wavelength, and wavelength is everything in this universe. It's everything in all the universes that are associated with us, without exception whatsoever. There are zip that aren't a function of wavelength, and wavelength is everything. I mean, I can't tell you what it means. If you look at the electromagnetic spectrum, which we are going to in great detail after we've gone a long ways, you're going to see that everything from microwave towers, to gamma rays, to sound waves, to everything is all a function of how long the wavelength is. If you change the wavelength, then you change the nature of what the energy is. And so with this understanding of wavelength, in other words, this is a long wavelength, and this would be a short wavelength. Everybody get that? There's wavelengths like your brain waves, for example, that are coming out of your head, are so long that they're almost straight lines, thanks. Hey, I think we're set up here. I bet this works. We'll give it a see. Aha, all right, great, let's get rid of these guys. And you've got little, tiny wavelengths, and you've gotten them so little you can't even see them. I mean, they get really, really little, and they get really, really long. And, again, your brain waves that are coming out of your head are almost straight lines. And you go to your cosmic waves, and they're so little that they are 10 to the minus 18 or something. They're so small that you can't even hardly see them. If you were to look at the dimensional levels, the only difference between this universe-- and when I say, this universe, I mean all of the planets and stars, infinitely going out. At least, we think it's infinite, but it isn't. And going within to the atoms at any particular point, no matter where you select, you can go infinitely in in that direction. In this universe that we now know, there's three different basic levels in this universe. That just constitutes one wavelength, the wavelength of this universe, which was discovered by Bell Laboratories telephone. It is 7.23 centimeters long, which happens to be the average distances between your eyes. Take the distance between your eyes. You've got to average 100 people, and you'll find it's exactly 7.23 centimeters. Or if you take the distance across your palms, 7.23 centimeters. The distance between the tip of your nose and the tip of your chin is 7.23 centimeters. We have it spread throughout our body. All life forms have it shuffled throughout their systems. And Bell discovered it when they were creating the microwave towers that stretch all over the place. They happened to pick 7 centimeters as their transmitting wavelength, by accident or whatever. And when they set up the whole system and turned it on and threw the big switches and got the whole thing going, they had this incredible static running through the systems. And when they tried to locate where it was, they looked through their systems, and they looked into the earth and looked everywhere else. But then when they pointed up to the heavens, they said, oh, no. It's coming from everywhere, and it is nearly everywhere. And the reason it's 7.2, you can communicate that from a quantum mechanic point of view. Now, let me just say one more thing here. I'm sometimes maybe speaking over some of your heads. Don't worry about it. Just watch the stuff like a movie. Take in what you can take in. And don't worry if you're not getting something because you're getting whatever you need. And so I'm talking to a lot of people on a lot of different levels. Just get what you can, and what you can't, it's OK. In quantum physics, you can look at, like, this pen as either being made up of little, tiny particles or made up of, you could say, sound. Wavelength, so there is what's called a sine wave signature. We saw what a sine wave was. A sine wave signature is, say, something that would look like this. It would come up on a computer monitor, or maybe it would look like that. Or maybe it would be-- there's, like, a hand writing signature. It's a very specific signature, and every physical object in the universe has its own signature, it's own sound wave signature. In fact, it's a language. Some people believe that if, in fact, it is possible, if you absolutely create the signature, you create the object. But if you took all the objects in our universe, and they're all putting out their own sound, if you want, and if you average or compute the average of all those sounds, you get 7.23 centimeters long, which is a pretty short wavelength of about so long, like I said, the distance between the eyes. And from my point of view, that's also Om, that the Hindus and Tibetans refer to Om. Om is the sound of the universe. It's the sound of all things at one moment. Well, in terms of looking at the dimensional levels, many people, if you talk to various people, they will refer to these 144 dimensional levels that are in the octaves. What this is is, again, looking at your music, you have 12 basic notes. And then you have your 13th one, which is the return or the next octave, going up to the next octave, repeating the same basic things over again. And in between each one of these twelve, there are 12 overtones that approximate-- approximate exactly-- the larger one, which are holographic in nature. And so sound, or electromagnetic light, is holographic in nature. You can go within it, just like you can go within any particular point into a table. You can go down at any point, down into the microcosm, or you can go above. And it's the same way. This whole octave becomes a note. There are larger octaves where the whole octave becomes a note relative to another octave above that one. And because there's 12 of these between each one of these notes, and you've got 12 notes, the 12 times 12 produces the 144 dimensional levels. So you have these 144 dimensions, though you have 12 primary ones. And these are what in "Star Trek" you might call subspace. They are real worlds. They're just as infinite as anywhere else. They just aren't whole-note universes, and they're just as important. They all have life. All of this is filled with life, totally. I don't know if t --- se that was when he was just beginning to enter it. Of course, now, they're all living in the sixth dimension. They were just going in there, and when they got in there, there were the hounds that were chasing them and trying to get them. And if they got them, they would hold them and keep them. They don't kill you. I mean, they just hold you. That's all. They just keep you there for a while, so you could get detained or arrested if you proceed too quickly and too far. But you won't get hurt. I mean, ultimately, you may have to wait a long time. It would be better to proceed in an organic-- not to be sucked into so much of a hurry and experience each one of those steps the way you have to. OK, we only get a couple more questions, then we've got to go on. >>You mentioned that the Greys can travel from one wall to another. >>They are trapped within these walls. >>So they can exist in other dimensions, or do exist? >>Oh, yeah, yeah, they're real good. They can go anywhere within these 144 dimensions. They just can't get out. >>And the Lucifer aspect, how far can he travel, also from wall to wall? >>Lucifer is also trapped in those 144 dimensional lines. >>Thank you. >>OK, two more questions, and that's it, just these two people here. >>What is the difference between the successive octaves and getting through the wall? It just puts you to a new octave? What's the octave? >>Well, you see, once-- OK, that's a good question. I think I said we exist on other levels, when we were talking about the angels being us on another level. You exist on a lot of other levels. Most people exist on anywhere from five to maybe 100 or so other dimensional levels, and, literally, you have a counterpart, an aspect of you that is literally there. And it's you. Though most of that is totally conscious of itself, stretched throughout there. It's only this lowest, lowest, lowest level, us, down here that we're not aware, though the other aspect of it is aware of you. If you look at this like a piano, and you were to play those other worlds that you're on, you would find that they form chords, almost always. It's really rare, unless you're a terrible piano player. [INAUDIBLE] almost always will be in other dimensional levels that are harmonic with the one that you're in. And there's a lot of combinations that can come out of here besides this one, so there's lots and lots of other combinations. But what happens is a person, or a little spirit, will learn how to play one chord, and then once it figures out, hey, you can make chords, it will try another one and then another one and another one. And pretty soon, it learns how to play the piano, and eventually it learns how to go through all 144 dimensional levels. And the key is to be able to go into that world and be conscious and stable and stay there because what usually happens when you go into a dimensional world that you're not supposed to be there, it's either going to trap you there, or it's going to spit you back out and throw you back out. You can't stay there for maybe more than just-- maybe a few minutes, experientially, or just a short time. And then you're really throwing yourself out, which I'll explain later, but it won't keep you. You won't be able to stay there. But after a while, when you slowly start learning how to play the piano, you slowly learn how to go into any of these worlds and be comfortable and stay there, no matter where it is, no matter how high it is or low it is or complex or simple or whatever it is that's going on. And each one of these different universes are visually, experientially, and sensually totally different, absolutely, completely different. Just going from where you're going to go right now to this next [INAUDIBLE] up here, it's so different that it's going to take me a long time to describe it. Even the colors aren't the same. Shape will not be anything like your mind can conceive of right now. Everything will be real, real different, but between this close of a jump, there are certain similarities. But as you go up, it really starts changing a lot, and so it takes time for a spirit to eventually get to the place where it can go through all of them. When someone does that, when they finally learn how to do them all, and then they learn how to get on to the other side, and they realize, son of a gun. It keeps repeating itself. And they realize, wow. It's all the same. It just repeats itself. Then a big lesson happens right here for that spirit, and a choice has to be made. At that point, they can see the whole, no matter what octave they're in, they can see the whole from that point. Long before they ever reach this place, they're going to realize that there is no inside and outside and that everything that is is them, and so that kind of connection. But when they make this jump, they will really understand that because they will have spanned the whole spectrum of this experiment that we're in. Because they know that all life is them, they are either going to make the decision to stay here in this wave form universe and to help all the aspects that are lower to get through and to understand or, in other words, to complete the experiment. They are either going to do that, or they're going to leave, go what the Tibetans call beyond the beyond the beyond the beyond. They're going to leave the whole universe, totally, step back outside the system from which it was created, and return into godness, return into the single spirit that created this from before, and from which either way is OK. It just depends on what you choose. If you choose to do that, if you choose to stay here, the name for that is Melchizedek, and it's another level of consciousness that is very much like Christ consciousness. And it is one that has spanned the whole spectrum. And if you do that, the moment you make that decision in your heart, life grabs you real good, and it uses you. And it uses you primarily in dimensional changes and things to do with dimensions because you're an expert at it. And so whenever there is a problem in any of the worlds or levels, octaves-- and there's always little problems, just like there is in your body. When problems happen in life, we use the [INAUDIBLE] to go in and to try to alter or change whatever life wants you to do. If you go beyond, you brought with you experience back to that which created the experiment, and so either way is OK. But there is a point where you make a decision. If you do choose to stay within the Melchizedek consciousness, you then really can't help yourself anymore because you've gone as far as you can on that level. There's nothing to do but to go back down into life and to serve and to work. And you try to help because you know absolutely, beyond any doubt whatsoever, that there's an absolute unity to life. And so you begin to allow God to work through you so that the original intent of the creation unfolds. And many of you in this room are very close to making that decision on certain levels. There are certain completion patterns that you have to do. Well, that's not true for most people on Earth. Most people on Earth, some of them are still working with simple chords. That doesn't mean that you're higher than them. It just means because you are them. It just simply means that your point of consciousness is kind of lit further down, and so you have more responsibility. That's all it is. You've just got more to do. You work harder. >>So when you talked to the few masters who were right at the wall, and they're learning a whole bunch right now, are they just within this octave? >>Yeah, they're just within-- this is Earth consciousness I'm referring to, and Earth consciousness is learning how, at the moment, to go through the wall and to make these kinds of decisions. And it's looking like we're all going to be faced with these decisions because if what we think is true, we are about to make an extremely unheard of, unparalleled, never-seen-before, rapid change from where we are down here all the way through all these dimensional levels at an extremely accelerated pace. We don't know why it's happening. We just think. We believe at this point that that's what's going to happen here, and everything is already opening up that way. [INAUDIBLE] happens, it's going to be extraordinary. It's going to be an extraordinary experience. [INAUDIBLE] because this is brand new. There's not very many brand-new experiences in the universe, but this a brand-new experience. It's only every once in a while that God intersects outside the system, and that appears to be what's happening right now on Earth, is that God is directly intervening from outside the system. It's great. I'm really glad to see it. OK, we'll take that one last question then. Just speak it out loud. >>What is the reason that God is intervening now? >>He put this little seed into the universe and created a situation where there was no other way to go, and then what the seed was chosen, then everything has unfolded because of it. So hidden deep in the universe was this little thing, which we'll talk about later, and it's created everything that's happening here, the way it's going. It's pretty obvious that this is what us on the outside of the system wanted to take place, but why now? I can say, why now, on certain levels, but why now on the big picture I have no idea. OK, one more. You're absolutely the last. Yes? >>[INAUDIBLE] >>OK, give her the magic wand, and then right after this, we'll cut this one. And this will be the first one. >>So why are we here? And has that seed been implanted in us? Because before I arrived, I kept hearing that word, without ever hearing it before. >>What word? >>Merkaba. >>Oh, Merkaba, well, it's an ancient word, and we all know the sound of it. The Zulus in Africa, they talk about how they came in-- it's this guy. He's going around all over the world right now, talking about their ancient culture. And he talks about how they come in on these disk-shaped Merkabas, using exactly the same word. It's in their ancient tradition. Or if you go back to Ezekiel in the Bible, or if you go to-- it's the sound of that word, is ancient. And it's an old, old, old one. But why you? When you're talking about you coming here, nobody can answer that question but you. That's why-- >>Us, I mean, this group of us. >>Well, there are people that are coming from the past. There are people that are coming from within the future. There are people that are coming from into the future, a lot of intersecting stuff that's going on here that's usually not done, at least to the degree that it's taking place here right now. There are a lot of things going on, and we'll slowly unfold this over the next few days to the best of my ability, is to explain all the different levels that are going on. But there's a lot of people coming here that are very advanced souls and have real definite purpose why you're here, though most of you, or many of you, don't know what that is right now. While you may feel it in your heart, you may not know exactly what it is, and that's part of my job, is to try to jar those memories.